"Erika Rose offered something of a tour de force as the dually haunted Claire, creating -- in physicality as much as voice -- two totally different, superbly delineated, rather endearing characters. "--The Baltimore Sun


"Rose's Saul/Mimi/Claire is the unquestionable show-stopper. It's a performance that offers the rare example to watch an actor change before your very eyes by sheer acting chops alone, and it's quite impressive."--Baltimore City Paper


 "Finally, Erika Rose has a role worthy of her comedic talents. She's sparked many a show in the Potomac Region with her chipper personality, but just hasn't had enough to do that highlighted her ability to throw herself into a quirky situation with abandon. Now she has. As a woman who seems to be the vessel for different souls - bouncing back and forth between each and lapsing into catatonia in between - she demonstrates a full-out commitment to each and a comedic discipline that serves the piece delightfully. "

 --Potomac Stages

By David Emerson Toney

Directed by Jennifer L. Nelson

at Everyman Theater

The Soul Collector

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"One of my favorites of the five shows I caught at the festival has, I regret to say, finished its limited run...Peopled with more than a dozen characters from around the globe, it poses an acting challenge that the show’s star, Erika Rose, met with impressive nimbleness.

--The New York Times

"While she is the only actor to appear on stage, it doesn’t feel quite right to call this a one-woman show. Rose quite literally embodies dozens of characters, from Jackie’s parents to friends to street vendors—adopting fresh cadences and mannerisms for all without veering into caricature. Even though Rose only speaks one line as a Benson and Hedges cigarette hawker, for instance, it’s with a fullness that signals this vendor has his own story." 

--The City Paper

by Caleen Sinnette Jennings

Directed by Paige Hernandez


"Erika Roses' haunted-but-hopeful performance as Hawa is what makes Derek Goldmans elegant, compelling production register as a story rather than a debate. [Rose] lets you straight into her heart."  
--The City Paper


"With her hauntingly expressive eyes, Rose cuts a warmly embraceable figure as Hawa. This actress of open heart does manage to touch ours."
--The Washington Post


"Erika Rose fans, line up and see how she careens from devastating brutality, horrendous pain and suffering, to fateful resignation, to bright-eyed enthusiasm, all while somehow clinging to vestiges of hope and humanity. It's an amazing performance." 

--DC Theatre Scene

by Winter Miller

Directed by Derek Goldman